Available 7/3
Daisy Boman
60 cm
Available
Daisy Boman
VERNISSAGE | 7 MARCH 2026 | 14:00 – 17:00
Exhibition | 7 March – 5 April 2026
Daisy Boman is a Belgian sculptress and ceramic artist with an established international presence. Her work is held in private collections in Australia, New Zealand, South Africa, the United States, Canada, Hong Kong, Germany, France, the Netherlands and the United Kingdom, reflecting sustained global recognition.
A formative period in her development took place in South Africa in the early 1980s, where she participated in national exhibitions. From this experience emerged her now iconic Bo men figures. These simplified human forms are deliberately without facial features or individual markers. They function as universal representations of humanity, transcending race, nationality and status.
Her work has been exhibited internationally, including in London, Birmingham, Strasbourg and San Francisco, as well as in Asia, demonstrating the breadth of her exhibition history. An important chapter in her career was her collaboration with Halcyon Fine Art Gallery beginning in 2008, through which her sculptures were presented to a wide international audience.
Beyond the gallery context, Boman has realised significant commissioned works. She has created large scale and life sized Bo men sculptures for public and corporate environments, expanding her practice into architectural and site specific contexts.
Most recently, she realised major commissioned installations in Singapore for PSA International, where groups of her life sized Bo men sculptures were integrated into corporate and public environments. This large scale international commission further confirms the relevance and adaptability of her work within a global context.
Her artistic trajectory is further documented in the monographs Belonging 2010, Alongside 2018 and Horizons 2022, publications dedicated to the evolution and depth of her sculptural language.
At the core of Boman’s oeuvre is a consistent exploration of shared human experience. Through repetition, grouping and restrained form, the Bo men embody themes of belonging, solidarity and collective presence, offering a clear and universally accessible visual language grounded in human connection.

